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Murnau is most often credited for Nosferatu' s unique atmosphere and imagery, and rightly so — Murnau would go on to massive success for films like 's The Last Laugh, 's Faust , and 's Sunrise.
But equally deserving in praise for the film is Albin Grau, Nosferatu 's producer — and an experienced occultist. According to PeoplePill.
Many believe it was Grau's spiritual relationship with the occult that leant Nosferatu its chilling ambiance. One can even see hermetic and occult symbols in certain scenes of Nosferatu.
When Grau started the production company which made the film named Prana Film after the Buddhist concept of "prana," meaning "breath" or "life force" , it was meant to focus on films solely of a spiritual or supernatural nature.
Many critics will point out that Nosferatu is a rip-off of Dracula. And to be fair, that's exactly what it is.
Before the widespread popularity of Bram Stoker's novel, vampires were folk legends rather than part of pop culture. But apparently, while Albin Grau wanted to film Dracula , he had become interested in vampires even before reading the novel, when he was stationed in Serbia during World War I.
According to a article by Grau in Buhne und Film , partially reprinted by vampire research site Shroudeater. The farmer's father had died and was buried without receiving the holy sacraments.
Locals exhumed his coffin and found it empty. The next morning, they returned and found a healthy-looking man with teeth so long and pointy that he couldn't close his mouth.
A stake was driven through the corpse's heart before it was cremated. While Grau's story might have been a way to drum up hype for his film, Eastern Europe has always been where the legends of vampires as we know them — the blood-drinking, nocturnal undead — have originated.
According to National Geographic , the country was home to some of the earliest European vampire hysteria, in part focused around the folkloric character Sava Savanovic.
That Grau would have heard this story in Serbia makes sense. Though Nosferatu 's creators gave their central vampire a look and feel all its own, many contend that the plot — a young clerk traveling to the old country, only to discover a vampire nobleman who covets his beloved — is just Bram Stoker's Dracula with the names changed.
According to Forward , the job of trying to dodge litigation fell on screenwriter Henrik Galeen. He changed names, settings, descriptions, and even the cast of the story in order to avoid litigation and adapt Stoker's lengthy epistolary novel into a silent film.
Count Dracula became Graf Orlok, Jonathan Harker became Thomas Hutter, Renfield became Knock, and Mina Harker became Ellen Hutter.
Many of the novel's supporting characters, such as Professor Van Helsing and cowboy Quincy Morris, are absent entirely. Unfortunately, the writer's hard work was not enough to keep Prana Film out of legal hot water.
The actor playing Graf Orlok, one Max Schreck, has been the subject of rumors over the years. The most common one is that he was, in fact, a vampire himself, a concept that was turned into the full-length horror film Shadow Of The Vampire , starring Willem Dafoe as the undead Schreck.
While the story is obviously untrue, everything about Schreck did little to dispel these rumors. According to an interview with biographer Stefan Eickoff in Reuters , Schreck was no supernatural creature but rather a versatile actor with an unusual temperament.
He was a civil servant's son with over screen and stage roles and was "a loyal, conscientious loner" with no family to speak of. Schreck was also known for his detached, offbeat sense of humor, leading one of his contemporaries to claim that he lived in his own "remote and strange world.
While different depictions of vampires cherry-pick their strengths and weaknesses — fearing the crucifix, casting no reflection in mirrors, transforming into bats — one of the universally recognized tropes is that vampires are killed by direct sunlight.
However, this wasn't always a common concept. In fact, Bram Stoker's Count Dracula walks around in the sun — he's merely weakened by it.
It was Nosferatu 's climax that cemented the idea of sunlight killing the vampire into the minds of the public. As noted in a piece on Medium , it was F.
Murnau who came up with the idea of the vampire being disintegrated by the rays of the dawn. While the poetry of the final scene is laid on thick — the viriginal Ellen Hutter sacrifices herself to the vampire, so that he, drunk on her innocent blood, doesn't notice the rising sun until it's too late — truthfully, the use of this special effect was just a cheap alternative to a grisly death scene.